Tag Archive for: Lee’s Palace

Day II of NXNE 2015, Celebrating Paper Bag Records

Because I couldn’t be in Toronto for this year’s NXNE, the city’s great music festival, Honourary Canadian is publishing guest posts by Regina Sienra, aka Reginula, a music journalist who hails from Mexico City. She’s a stalwart fan of Canadian indie music, recognized by the CBC Radio 3 community as our Fan of the Year. You can follow Regina on Twitter and Instagram where her handle is @Reginula. From one honourary Canadian to another, I’m delighted to be publishing her work here! Philip Turner, Publisher, The Great Gray Bridge and Honourary Canadian.

Day 2 of NXNE 2015 kicked off with a brief but fulfilling set by Calgary-bred, Toronto-based band Fast Romantics, who were playing a Black Box Session for Indie88, a radio station that in less than two years has become an institution on the local scene. The set list consisted of “Julia,” their latest single, “Funeral Song,” and a cover of Pulp’s “Common People.” The second song had to be played twice, but the crowd didn’t mind and stuck around for everything offered to their ears.

Paper Bag Records and the entire #Paper100 party ruled the day from fairly early on, kicking off activities with acoustic shows at the Tiny Record Shop (and the adjacent vintage clothing store), on Queen St in Toronto’s east end. Headliner Sam Roberts played new versions of classic songs for a few dozen people and even stuck around until every fan waiting for him had an autograph or a picture with him.

Hosted by CBC Radio 3’s Lana Gay, the main party kicked off at 8pm at Lee’s Palace, legendary music venue on Bloor Street. Over the next seven hours, some seventeen acts took to the stage, playing brief sets w/revolving mixes & matches of lineups. The extravaganza—celebrating the label’s 100th release over the past thirteen years—showcased venerable members of their catalog, such as Rural Alberta Advantage lead singer Nils Edenloff, who told the audience he was playing without his “blanket of confidence,” bandmates Amy Cole and Paul Banwatt, to acts newly signed by Paperbag like Alana Yorke from Halifax and Hey Mother Death from Cape Breton Island.

DIANA, Frog Eyes, YAMANTAKA // SONIC TITAN, aka YT/ST, The Acorn, Mozart’s Sister, PS I Love You: Paper Bag Records’ history and diversity played, comprising the soul of the party, that went from rootsy singer/songwriters, to electronic acts and heavy indie rock.

The night had promised a lot of surprises, and didn’t disappoint: One of the surprises was the appearance of Born Ruffians, who played a cover of Tokyo Police Club’s “Nature of the Experiment,” but the biggest jaw dropper was a hush-hush appearance by Broken Social Scene stalwarts Brendan Canning and Kevin Drew to celebrate Paper Bag Records involvement with the release and success of their groundbreaking album “You Forgot it in People.” Kevin Drew credits PBR’s Trevor Larocque with sending the album to Pitchfork, who posted the superb 9.2 review that launched the album and made the band’s reputation.

The heroes of the evening? Cuff the Duke, whose frotnman Wayne Petti played last night with Grey Lands. CtD members appeared as the house band throughout the long enjoyable day, jamming with every act that needed support, including this BSS roster presentation that included “Lovers Spit” (sang by a singer from The Luyas), “KC Accidental” and “Almost Crimes.”

Here’s to another 100, Paper Bag Records!