Celebrating 100 Great Canadian Novels–CBC’s Choices + Several of My Own, Including Antonine Maillet’s “Pelagie”

For CanLit fans, a very good books conversation was started over the weekend on CBC Radio’s Cross Country Checkup, which is continuing on the CBC Books website. With tomorrow’s Canada Day in mind, they were discussing a new selection CBC Books has done of 100 Novels that Make You Proud to Be Canadian. These are novels published in English, or translated into it. They’re welcoming new titles for the list, with the first 100 named via this link. I’ve submitted some faves of my own, including one by the amazing New Brunswick author Antonine Maillet, born in 1929. Her novel, Pélagie-la-Charrette (1980, roughly translated as Pelagie: Return to the Homeland), is an historical epic set in the mid-1700s, when the Acadian people, refusing fealty to the British Crown, were evicted from Nova Scotia, sent in to an exile that shunted them down the Atlantic seaboard, or all the way down to Louisiana, where they became known as ‘Cajuns.’ Her epic tells the story of their exile and eventual return to the Maritimes, but only for some. With the novel Maillet became the first woman, and first non-French person of either gender, to win France’s Prix Goncourt. From the flap copy on the current Goose Lane Press edition:

Maillet

“At thirty-five, Pélagie is a survivor of the Great Disruption of 1755, when British soldiers deported Acadians who had farmed along the Bay of Fundy for generations. Splitting up families, the soldiers tossed men, women, and children pell-mell into ships and dispatched them to ports all along the eastern seaboard of the US and to Louisiana. When it was heard years later that the British would tolerate their return to Acadie, thousands loaded possessions and children onto handcarts and set out on foot. After fifteen years of working as a slave in the cotton fields of Georgia, Pélagie, too, has had enough. Drawn home as if by a magnet, inspired by her love of her family and of Beausoleil, a heroic sea captain, and determined to outrace the “Wagon of Death,” Pélagie sets off to take her people on a 3,000-mile trek back to their homeland. Her single cart, pulled by six oxen, soon attracts scattered Cormiers and LeBlancs, Landrys and Poiriers, Maillets and Légers. Together, this caravan of colourful Acadians undertakes a ten-year journey up the Atlantic coast to their childhood homes.”

In 1987, I had the privilege of publishing the US edition of Maillet’s The Devil is Loose, a sea adventure about a female pirate–a kind of maritime Robin Hood; she plunders British merchant ships and gives the booty, especially wine and rum, to the islanders of St. Pierre and Miquelon, the isles (still French-speaking today) in the north Atlantic near Newfoundland. Under a grant from Canada’s Department of Cultural Affairs, Maillet traveled to New York and read from her work at the Americas Society on Park Avenue. I recall she was of quite small stature, and without any airs she stood on a box of printer paper to reach the mic on the lectern. She also created the indelible character of modern Acadian theater, a wise woman/elder figure, “La Saguoine.” Over the years, the CBC has run many pieces about Maillet and her work, including readings by her, that you’ll find here in the CBC Archive.

From CBC Books’ excellent list, I loved reading Marian Engel’s The Bear; Margaret Laurence’s Stone Angel; Robertson Davies’ Fifth Business (and his entire Deptford trilogy, of which this is Book I); Timothy Findley’s The Wars (I was also gripped by his novel Famous Last Words); George Elliott Clarke’s George & Rue, (the US edition of which I published in 2006) and many books by Margaret Atwood, Mordecai Richler, Emma Donoghue, Guy Vanderhaeghe, and Paul Quarrington, though not the particular titles by them that are on the list. As a bookstore owner in Cleveland, Ohio from 1978-85, when a new generation of Canadian writers was bursting in to print, I was very lucky to stock and sell early books by the Atwood/Richler/Findley generation. I sold a ton of copies in the ’80s of everything by Robertson Davies, and as a bookseller, was enlisted by his publisher to urge other booksellers to order and sell more of Davies’ titles. This led to a lengthy correspondence with him that I’ve published in a post on Honourary Canadian, “Why I Write this Blog.” In my publishing career, I’ve also brought out US editions of books by Paul Quarrington, George Elliott Clarke, Steven Galloway, Atwood, and Richler, all of whom have books on the new CBC list.

I’ve suggested a few more novels for CBC’s extended list: The Abramsky Variations by Morley Torgov; all the Benny Cooperman detective novels by Howard Engel, whose superb Memory Book I published in the US in the 2006; Kathryn Kuitenbrouwer’s engrossing circus novel All the Broken Things, in part perhaps an homage to Marian Engel’s The Bear; and the great suspense novel Alter Ego, by the now-retired CBC broadcaster and exec Patrick Watson, who did a signing for it in my bookstore in 1979. Here are covers from many of the books:

Three Great Books Chronicling Canadian Rock n’ Roll

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The late Scott Young, Neil’s dad, was a distinguished Canadian journalist and prolific author, a member of the Hockey Hall of Fame, for his years of columns on the sport. He died in 2005 at age 87, having published more than 35 books—novels and nonfiction, some for young readers. His NEIL AND ME (1984) is illuminating on the family’s break-up, when he left his wife Rassy, and Neil, and brother Bob. The chapters about Neil’s music and performing are very enlightening. The elder Young was a very good writer, no less writing about his famous son. An essential book for understanding Neil, it bespeaks all that is heartfelt and sincere about Neil’s songs and career. Especially valuable when read alongside Jimmy McDonough’s Shaky (2002). For other coverage of mine about Neil Young, you may read a post I wrote when Patti Smith interviewed Neil at BEA in 2012.

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Like a big pot of soup you can feed on for days and days, HAVE NOT BEEN THE SAME: The CanRock Renaissance, 1985-1995 (2001) is a rich broth of a book, with great stories and characters spanning four decades of Canadian rock n’ roll. The 10th Anniversary Edition, published in 2011, was released simultaneously with a CD release that had younger artists covering songs by their musical forbears, bands that had been in the first edition of the book, it was a cool project that I bought and enjoy from the Canadian indie music seller zunior.com. So good you can open it at the start of any new chapter, and just begin reading and enjoying. Kudos to Michael Barclay and his co-authors Ian A.D. Jack and Jason Schneider.

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Like the memorable book about the 1960s art scene that swirled around Andy Warhol, EDIE: American Girl by Jean Stein, with a Foreword by George Plimpton, Dave Bidini’s ON A COLD ROAD: Tales of Adventure in Canadian Rock n’ Roll (1998), is a multi-voiced oral history of verbatim recollections by dozens of Canadian musicians, shaped by Bidini who toured for years as part of the Rheostatics. There are many colons (e.g., : ) in this book followed by paragraphs of rich memories. Bidini’s arranged it kinetically, so you feel like you’re bouncing around on the bus, too, as you read funny, outrageous evocations of epic touring traversing the continent-wide country. Full of humor and pathos, it made me laugh, and nearly cry, for the sincere efforts of so many hard-working, hard-partying, hard-striving artists. Bidini is also prodigiously prolific, with twelve books published, including 2011’s WRITING GORDON LIGHTFOOT: The Man, the Music, the World, in 1972. And then there’s his musical career, which now has him fronting Bidiniband. I also enjoy reading him on Twitter @hockeyesque.

 

If You’re Visiting this Blog for the First Time

If you’re new to this blog, and you’re curious about why an American—born in Cleveland, living in New York City for almost thirty years—started it, I suggest you take a few minutes and read the page noted at the top under the rubric “Why I Write this Blog.” It chronicles my lifelong affinity for Canada’s geography, culture, and history, with lots of pictures from years of travels across Canadian landscapes. If you want, you can also check out “The Visual Inspiration for Honourary Canadian: Percé Rock in Eastern Quebec.”

At the Bitter End, Ewan Turner–7pm, May 25

Farley Mowat, Waxing Fondly for Newfoundland

As an addendum to the post below about Farley Mowat, here’s a video trailer he did for the release in Canada of his book Bay of Spirits, which I published in a US edition in 2006.

Farewell to a Great Canadian, Farley Mowat

Farley MowatI’m sad about Farley Mowat’s passing. What a great Canadian, and such a conscious dweller on the planet. He righteously raged about ill treatment of people and wildlife and abuse of water and air long before Earth Day was a yearly observance. Margaret Atwood’s praise is fulsome:

“Farley Mowat’s books have marked Xs in the sand, and have struck their own igniting sparks….His rage can be Swiftean, his humour Puckish, but his compassion for all creatures great and small has been consistent.”

Farley Mowat

I had the privilege of publishing three of Farley’s books in the States, including a revival of People of the Deer, his debut, first published in 1951, about the prodigious caribou migrations in the far north which he observed as a young scientist, and the indigenous peoples who relied on the herds for their subsistence and sustenance. He focused on a particular tribe, the Ihalmuit, who had been very badly treated by the Canadian government. He reported on it all in compelling detail and with a fluent narrative that was inherently enjoyable; for an avid reader, this book, all the books of his that I’ve read—about fifteen out of his forty or so titles—were so enjoyable, they practically read themselves. His books were often secular crusades for better treatment of wild things. Though I never met Farley, and only spoke with him briefly one time by phone, I’ve long felt a personal connection to him. I read his best known book Never Cry Wolf, for a middle school class, always remembered his name, and looked for his titles. In early adulthood, when I opened Undercover Books with my family, we ordered, stocked and sold Farley’s titles. Later, as an editor and publisher I began looking for Canadian books to which I could acquire the rights to publish in distinctive US editions. I enjoyed presenting Canadian culture to Americans.

A serendipitous encounter on a Canadian road trip made with my wife in 1993

In the autumn of that year we were touring Cape Breton Island and driving its scenic Cabot Trail—think of it as the Big Sur of North America’s east coast—when we came upon the wee village of Margaree Harbour, hard by the Gulf of St. Lawrence. We stopped at a local establishment called the Hungry Piper Gift Shop & Tea Room, a charming spot that sold woolens, tartan ties, Celtic music cassettes, items emblazoned in Gaelic, Cabot Trail postcards, local crafts, and served light fare. We soon met the shop’s proprietors, the May family, a clan with whom Kyle and I became fast friends. They were John and Stephanie May, a married couple, and their grown son Geoffrey, married to Rebecca Lynne. We learned from Stephanie, a voluble storyteller, that they’d come from Connecticut originally, and that they’d moved north during the Vietnam War, lest Geoffrey be exposed to the U.S. military draft. John had held an executive position with an insurer in Hartford, and Stephanie was politically active, working for a nuclear freeze and on the McGovern for President campaign in 1972—alongside a young Arkansan named Bill Clinton, who had been elected U.S. President in 1992. The Mays’ decision to move was also triggered after Stephanie discovered she’d earned a spot on President Richard Nixon’s sinister “enemies list.”

By 1993 when we met, the Mays had been thoroughly ensconced in Canada for almost twenty years. On the property with their shop was a sort of derelict schooner, rather incongruous in their parking area. Upon close inspection I saw emblazoned on the side was the name “The Happy Adventure,” the very boat that Farley Mowat wrote about in his very funny book, The Boat Who Wouldn’t Float. (It opens with him buying the boat at an auction, going halves on it with his friend and publisher, Jack McClelland of McClelland & Stewart.) The Mays were friends with Farley, who donated the broke-down vessel in hopes it would prove a tourist attraction for them. Mr & Mrs. MayGeoffrey May, PT, Rebecca Lynne, friend

33 Kyle Cabot Trail

Stephanie and John had another child, a grown daughter named Elizabeth who was the head of the Sierra Club of Canada, living in a distant city. She owned a little house, also in Margaree Harbour, not in use, which the Mays suggested we could rent during our stay. Kyle and I took them up on it, and with a spirit of adventure undimmed by the fact the house had little heat and hot water, we loved our time there, nearly a week. I had a portable radio with me, and so got to hear the Toronto Blue Jays win the World Series, when Joe Carter hit his walk-off homer in Game 6, made indelible by his jubilant romp around the basepaths. A couple nights later we joined Geoffrey and Rebecca Lynne at their home for dinner. This happened to be the day of a Canadian federal election, and Geoffrey invited us to stick around and watch election returns with them. It turned out to be an amazing night, as this was the election in which the federal tories were entirely swept out of power in one of the most lopsided defeats ever in the history of modern elections. It was a celebratory evening—for comparison’s sake, imagine all Republican officeholders in the U.S. losing on the same day!

Our landlord for the week, Elizabeth May, has since become an important Canadian politician, leader of Canada’s Green Party, and the first Green Party member of the Canadian Parliament. Elizabeth has been giving some very moving interviews today, about the long friendship she and Farley shared, including one on CBC’s As It Happens. She had been looking forward to wishing him a happy 93rd birthday, which would have come next Monday, May 12. She also put a moving statement on her website.  I remain in touch with Geoffrey May, an advocate for Gaelic education. The books of Farley Mowat, and road trips like the one in Cape Breton, have made Canada an indelible part of my mental and emotional landscape. I’m sorry he’s gone, but marvel at the thought of his forty books, translated in to more than fifty languages, selling collectively some fifteen million copies. What a grand authorial career. In the gallery below are pictures of all of Farley’s books in my home library.

Howard Engel, Honored as a True Master of the Detective Novel + an Epitaph to Oliver Sacks

August 30, 2015 update: Sad word this morning brings news of the death of Oliver Sacks at age 82. It was an honor and a privilege in 2006 to publish an essay by him as the Afterword to Howard Engel’s ingenious mystery novel Memory Book, a piece that was also published in The New Yorker. The novelist consulted with Dr. Sacks after he’d suffered a stroke that left him with alexia sine agraphia, aka word-blindness, a condition that leaves a patient unable to read, though able to still write. Sacks continued writing about Engel’s condittion in subsequent years, with a 2010 New Yorker piece and then in his 2010 book The Mind’s Eye. (If as a tribute to Sacks The New Yorker opens its online archive outside their paywall I will link to the articles here.) The blog post below, written in 2013 as a tribute to Engel now stands also as a testament to the generosity and curiosity of Dr. Oliver Sacks, RIP.
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EngelI’m very happy to see that Canadian mystery author Howard Engel—author of Memory Book, a Benny Cooperman Detective novel with an Afterword by Oliver Sacks, which I published in the US in 2006—will receive this year’s Grand Master award from the Crime Writers of Canada. Their announcement reads,

The Crime Writers of Canada has. . .added an eighth prize to their list of awards this year. The CWC Grand Master Award for Crime Writing in Canada will go to a Canadian crime writer with a substantial body of work that has garnered national and international recognition. This year the award will go to Howard Engel, author of the award-winning Benny Cooperman detective series.

Engel is a gem. Here are some of the words his fellow writers have used to describe him:

“Benny Cooperman is a lot of fun to hang out [with]. I’m delighted to see him getting into trouble again.”—Donald E. Westlake

“Mr Engel is a born writer, a natural stylist…This is a writer who can bring a character to life in a few lines.”—Ruth Rendell

“Engel can turn a phrase as neatly as Chandler…Benny Cooperman novels [are] first-class entertainment, stylishly written, the work of an original, distinctive, and distinctively Canadian talent.”—Julian Symons

The prolific Sacks, neurologist and author, contributed an essay to Engel’s book because he was fascinated by a condition the author had endured. Engel wrote Memory Book after suffering a rare kind of stroke that left him with alexia sine agraphia, aka word-blindness. He was no longer able to read, but somehow still capable of writing. Painstakingly and ingeniously, Engel placed his protagonist, private eye Cooperman, in a similarly perplexing condition. According to a post by blogger Allyson Latta, Sacks still consults with Engel from time to time on the mysteries of his condition. Showing that the writing of Memory Book was no fluke, in 2008 Engel published his twelfth book in the Cooperman series, East of Suez, and in July 2014 he will publish City of Fallen Angels, featuring a new series character, Mike Ward. I’m very glad this recognition is being given to Howard Engel, and I’m also very happy for his agent, Beverley Slopen.Memory BookMemory Book back coverHoward Engel titles

Forthcoming McGarrigle Book I’ll Be Eager to Read

This forthcoming book was announced in PublishersMarketplace.com’s daily deal newsletter today:

Anna McGarrigle and Jane McGarrigle’s story of the McGarrigle sisters, the Canadian singer-songwriters who became famous during the folk music revival of the 1960s (the other half of the duo, Kate, passed away in 2010), recounting their family story, idiosyncratic upbringing, and musical influences, to Amanda Lewis at Random House Canada, for publication in October 2015 (world rights).

As a tribute to these great musical sisters from Montreal, here’s a video of them performing their achingly beautiful song, “Heart Like a Wheel,” with a group that includes Linda Ronstadt and Maria Muldaur. Note: Kate is playing piano, while Anna is standing, second from the left, next to Linda Ronstadt. I wonder if there will be a US edition, or just distributed copies of the Canadian edition in the States?